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Disease Is Relative

by Spike in Vain

supported by
Blake Ferguson
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Blake Ferguson Amazingly bleak, dissonant, and like the early 80's Cleveland it came from. This album is a sonic reminder of where I came from. "burnt offerings, dead flowers, a razor blade in my final hour" Favorite track: A Means to an End.
Levrikon
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Levrikon Just incredible '80s Cleveland deathrock that gets surprisingly funky. Think Rudimentary Peni crossed with Black Flag crossed with just a touch of NYC no wave like ESG. Favorite track: E. K. G..
brantly
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brantly This is NOT just another lost punk rock record, but a totally unique and amazing artifact unearthed. A discordant mash of influences run throughout this release. No Trend's brand of cynical mid-paced no-wavish-hardcore is a noticeable influence, but also Negative Approach, a kind of post-punk-Crass, Flipper, Bad Moon era Sonic Youth, Die Kreuzen and what The Fall may have sounded like if they were a Ohio punk band in the early 80's. Don't sleep on this gem!
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Unhinged 1984 debut remastered from the original tapes.
    Purchasable with gift card

      $7 USD  or more

     

  • Record/Vinyl + Digital Album

    Finally back in stock!

    Includes unlimited streaming of Disease Is Relative via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • To celebrate all 3 releases being in print at the same time, they can be purchased as a group. Bundle includes Disease Is Relative (1984), Death Drives a Cadillac (1985), and Jesus Was Born in a Mobile Home (1981-1985). We will send you d/l codes directly for the latter two.

    Includes unlimited streaming of Disease Is Relative via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    5 remaining
    Purchasable with gift card

      $55 USD or more 

     

  • Full Digital Discography

    Get all 5 Spike in Vain releases available on Bandcamp and save 35%.

    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Jesus Was Born in a Mobile Home [expanded edition], The Outerwear Limits, Jesus Was Born in a Mobile Home (1984 version), Death Drives a Cadillac, and Disease Is Relative. , and , .

    Purchasable with gift card

      $24.05 USD or more (35% OFF)

     

  • Official Spike in Vain t-shirt
    T-Shirt/Apparel + Digital Album

    So we've noticed those bootleg SIV shirts over the years. Finally printed some ourselves. 100% cotton Canvas brand tee.

    Includes unlimited streaming of Disease Is Relative via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

    Sold Out

1.
falling bricks hit me, hit me off my rocker’s edge falling glass rips my, rips my retinas beyond repair rat poisoning subsidizes nutritious supply living under slum law, you’re not yours, you’re mine slums falling, time and space contorted past mine ghetto children creating things out of slime underground will teach them truthful lies under my roof the square domain is mine I’ve got no place to hide concealed weapons, godzilla in disguise eternal trash can, breeding grounds for the mice given a chance, two thugs will multiply living under slum law, you’re not yours, you’re mine I’ve got no place to hide I’ve got no other place to go gotta get out, gotta escape gotta build up, resistance to the fakes gotta feed good, to manipulate gotta get out, before it’s too late
2.
walking in the light without a shadow wait until I die, wait for tomorrow drowning in the blood was just another lie I saw it in her face just before she died thoughts tear my skin, thoughts like poison this is the cross, without any reason life is an alibi, I can’t even try I can’t even try burnt offerings, dead flowers a razor blade, my final hour a means to an end, forget me now a means to an end, scatter my ashes on the ground scatter my ashes on the ground on the ground
3.
God on Drugs 01:48
I burnt the hand that stole my chair test god’s will if you dare after attila the hun it’s hell we’re all pawns god on drugs forgot my name but it’s all the same it’s too late to ask why we’re all gonna die god on drugs
4.
every mourner dripping blackness pale with fungus, pale with distress earthen hollow, empty, yawning, hungry. . . calling for my body token tears for all the years I was there and noone knew me they shut my eyes, tried to hide how they stared in distant longing hello. . . goodbye today we live tomorrow we die they buried me with all their sins and hope that I will rise again or burn in hell so they’ll be cleansed I have no soul, the end is the end
5.
No Name 03:46
and the girl said dreams never last they only shatter into fragments of the past there isn’t any life, there isn’t any hope there isn’t any fullfillment, there are only bodies lying speechless and forgotten everywhere in the city there’s a subway train packed with corpses the train moves slowly, stops here and there noone boards the train, noone leaves the train the conductor is only a scent a colorless stench that shouts through the crackling loudspeaker, “everyone is dead” I think I could almost forget your name what do I do - when there’s noone left to blame? meet me in the subway flooded with tears pack your suitcase full of fear I think I could almost forget your name suddenly all my ideas seem the same meet me in the subway flooded with tears pack your suitcase full of fear we’re going nowhere, going nowhere fast clinging strongly to fragments of the past I think I could almost forget your name you’ve got no name
6.
E. K. G. 03:27
I went flying by - ‘til you plugged me in I felt so artificial - count down, 92 will do you’ll decide uh huh, well OK live or die get me out of this stagnant sty park me on top and plug me in but please don’t pull the plug on me pins and needles in my arms pins and needles addict me to your care you’ll decide
7.
left right left right march to the subway where the lions are and the children play in ashes and fear lives inside the information booth selling weekly passes to the children whose parents threw themselves in front of the trains melodies of hatred play on the rails as fear watches the children dance “kill yourself kill someone else” children play their parents’ games children play laughing at the ashes laughing at the fire laughing at our graves only children’s games march to the subway where the lions are children play in ashes digging our graves they sign the papers for the man smoking hate in his pipe he hands them shovels and an empty field and gives away our lives and they dance around our graves, laughing fear gives them their paychecks and reads the scriptures underground, marching drowns all our screams and they laugh
8.
Disorder 02:06
see the lines in my face fall to disorder and crawl like spider’s legs to the dust in the corner see the savage light that really makes you see though you don’t want to, don’t want to remember me I’m the ghost cast in flesh I’m the chain that holds you to the past
9.
Dioxin 02:10
black & orange sludge flows beneath the water’s surface black & orange sludge penetrates fish circulation dioxin! man’s expelled rectal material aquatic mutations beach themselves black and orange fish, food for your dog eat your fish filet with retartar sauce in the end we’re the victims of our waste black and orange sludge penetrates water purification take a bath and leave a permanent ring around the tub dioxin! deposited in my waste line
10.
secret eyes glow in empty rooms, blue pain this eye is like a razor, like blood rain throat releases an ancient sound, untamed from every window a voice is calling your name hamlet’s dilemma skin torn by the teeth of a knife, black screams shades creep in on the victim, unseen noone knows the places where I’ve been the hoopes all in pieces in my dreams hamlet’s dilemma black screams, unseen, where I’ve been, in my dreams my dreams - have always been nightmares
11.
you are a stain on my record, you fucked me over you are the crushing weight, you are the source of my pain I don’t need you, don’t need no lies you fucked me over, now you’re gonna die I don’t need you, gonna leave you you fucked me over, now you’re gonna die better run, better hide I’m coming for you with a knife in my hand better run, better hide cause you’re gonna die you are a damper on my soul ‘cause you cut open my heart you let me bleed inside ‘cause you drove me to suicide
12.
I’ve grown so attached to having my mind I wish I didn’t have to lose it like everything else you took from me you took my freedom, now you’ve taken my dreams now you can paint your smile on me though I’m not sad and I’m not happy I won’t complain when you do to them what you did to me I’m just a puppet for the eyes of the world to see I’d rather hang from a rope than be pulled by your strings now I’m a fixture in your bathroom I’m not a human being I’m just a puppet for the eyes of the world to see
13.
Opus 03:58
shatter my illusions, shards in my eyes bloody red curtains dripping down, dripping down I found some wooden nails, relics of christ the curtains of my life are about to be drawn my life crawls alone the laughter, the wounds, my life an edge of pain dipped in my life writes the anger, I can’t surrender I feel bitter, I feel righteous I might be ‘wrong’ but it’s not all my fault it’s your fault too

about

2021 reissue remastered from the original tapes by John Golden.

credits

released April 30, 2021

Produced by Scott Lasch and Spike in Vain. Recorded at The Island, North Royalton OH, summer/fall 1983 by Scott Godwin. Originally released January 1984 by Trans-Dada Records.

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Spike in Vain Cleveland, Ohio

High priests of chromaticism and absurdity, 1982-1985 Cleveland. Vox, gtr, bass shared by Robert Griffin, Andrew Marec, and Chris Marec, with Bruce Allen (82-84) and Scott Pickering (84-85) on drums.

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